![]() ![]() To hone in on the oversaturated colour tones we set the layer opacity to 50%. Now the layer no longer affects the luminosity of the image. To isolate the colours and the oversaturation we then change the blending mode of the Invert Adjustment Layer to Colour. This happens for all colours, they invert to the colour on the opposite axis of the colour wheel. The Invert layer also reverses colours, so red becomes cyan, blue becomes yellow, and green becomes magenta and vice versa. This inverts the image, so luminosity levels are reversed, so what was dark is now bright and vice versa. To find the oversaturated areas we use Invert Adjustment Layer. Below we have terry before, during and after images. He agreed to let me use the image to show this saturation correction technique. Terry posted the image on our Facebook page, I messaged Terry as I liked the image and thought it would be great for a tutorial that I had in mind. If you post your published image on our Facebook page I’d be happy to check it out.Ī huge thank you to Terrance Reiners for supplying the image. If you wish to experiment with this, I would really appreciate it if you included my name (Duke McIntyre) and when you publish your image. The Essential Guide To Luminosity Masks in Photoshop.Gradiate – Photoshop Color Grading Plugin.Mastering Lumi32 Luminosity Masks Course.Lumi32 – Powerful 32 Bit Luminosity Mask Plugin.Raya Pro – The Ultimate Digital Blending Workflow Panel For Photoshop.save as: flipped_curve.amp or any name you likeħ. add another adjustment layer/invert on top of the two other adjustment layersĥ. add an adjustment layer/curves and load the curve you want to flipģ. add an adjustment layer/invert to this fileĢ. To flip a curve you open the basic photoshop raw file described in the curve merging article and do the folowing:ġ. ![]() This can be done with the Curve Merging technique and photoshop raw file method described here. ![]() For example when you want to build your curve into a QuadTone Rip profile. In both cases you will arrive from A to B but you should never mix the method.Īnyway, sometimes it comes handy to change a ‘use before inverting’ curve into an ‘use after inverting’ curve. It’s like driving left or ride side of the road. There are two ‘schools’ of curving for digital negatives. A correction curve for digital negatives that is meant to be used on a positive image before inverting to a negative should not be confused with a curve that has to be applied to an allready inverted image. ![]()
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